Paperback Þ Oracle Night PDF Ú

Paperback Þ Oracle Night PDF Ú


Oracle Night [Ebook] ➥ Oracle Night By Paul Auster – Centrumpowypadkowe.co.uk სიდნი ორი ამ წიგნის პროტაგონისტი სიკვდილს სასწაულით გადაურჩა თვეების შემ სიდნი ორი ამ წიგნის პროტაგონისტი სიკვდილს სასწაულით გადაურჩა თვეების შემდეგ ახალ ცხოვრებას ისე იწყებს თითქოს ბურანშია და აი აქ ხვდები რომ რეალობის განცდადაკარგულს ფიზიკურად სრულიად გამოფიტულს ქუჩაში ექიმის რჩევით ჯიუტად მოლასლასე ადამიანს რეალობა სულ სხვანაირად წარმოუდგება ყველაფერი რაც ცხოვრებაში მყარი თავისთავად მისაღები მკვიდრად ფესვგადგმული ჩანს მისთვის აუტანლად მძიმე და დიდია თავის ლამის უსხეულო არსებობასთან შედარებით ყველა როლი ცხოვრებაში განსაკუთრებული მწერლის ხელობა კი ერთადერთი გასაღები რომლის მეშვეობითაც ხელახლა შეძლებს რეალობაში შესვლას.

  • Paperback
  • 322 pages
  • Oracle Night
  • Paul Auster
  • Georgian
  • 16 March 2016

About the Author: Paul Auster

Paul Auster is the bestselling author of Report from the Interior Winter Journal Sunset Park Invisible The Book of Illusions and The New York Trilogy among many other works He has been awarded the Prince of Asturias Prize for Literature the Prix Médicis Étranger the Independent Spirit Award and the Premio Napoli He is a member of the American Academy of Arts and Letters the American Ac.



10 thoughts on “Oracle Night

  1. Ahmad Sharabiani Ahmad Sharabiani says:

    Oracle Night Paul AusterThe novel is about a writer named Sidney Orr Orlovsky who after making a miraculous recovery from near fatal illness buys a new notebook and starts writing a story about a man who completely changed his life when he realized how much his existence was ruled by randomnessتاریخ نخستین خوانش ماه نوامبر سال 2003میلادیعنوان شب پیشگویی؛ نویسنده پل آستر اوستر؛ مترجم خجسته کیهان؛ تهران، افق، 1384؛ در 271ص؛ فروست ادبیات امروز، رمان 23؛ شابک 9643691632؛ چاپ دوم 1386؛ چاپ پنجم 1392؛ موضوع داستانهای نویسندگان امریکایی سده 21مداستان «شب پیشگویی»، روایت زندگی جوان نویسنده ای است، که پس از مدتی دوری از نوشتن؛ با خریدن یک دفترچه ی آبی رنگ، بار دیگر اشتیاق نوشتن را، در خود احساس میکند، و با طرح داستانی در ذهنش، آغاز به نگارش داستان میکند؛ داستان مردی که یک زندگی را ترک میکند، و ناپدید میشود؛ تا در جایی دیگر، زندگی دیگری برای خود بسازد؛ جوان نویسنده که به تازگی پس از گذراندن یک بیماری دشوار و کشنده، بهبود یافته، در کنار داستانی که آغاز کرده، در کنار داستان زندگی خویش، به روایت داستان همسرش نیز میپردازد؛ و این سبب ایجاد چالشهایی در زندگی مشترک نویسنده با همسرش میشود؛ نویسنده ی جوان برای پرداختن به بخشهای پنهان زندگی مشترکشان، خیالپردازی میکند؛ و داستان را پیش میبرد؛ نقل از کتاب «ما عاشق بدنها نمیشویم، بلکه گرفتار عشق یکدیگر میشویم، و اگرچه موجودیت ما در پوست و استخوان محدود است، ولی همه چیز در آن خلاصه نمیشود؛ همه این را میدانیم، با اینحال به محض اینکه از فهرست خصوصیات ظاهری فراتر میرویم، درمیمانیم و واژه ها در سردرگمی و استعاره های مه آلود و بی اساس، مچاله میشوند؛ بعضیها آنرا آتش وجود مینامند؛ برخی شعله ی درونی، یا پرتو درونی وجود، و بعضی دیگر آن را گوهر فروزان درون مینامند؛ این اصطلاحات، همیشه تصاویر نور، گرما، و نیرو را، تداعی میکنند؛ آن جوهر زندگی که گاه روح مینامیم، همواره از طریق چشم با دیگران ارتباط مییابد؛ پافشاری شاعران بر این نکته حتما درست است؛ راز اشتیاق، با نگریستن به چشمان محبوب، آغاز میشود، چون تنها در آنجاست که میتوان، لحظه ای به آنچه که او واقعا هست، پی برد»؛ پایان نقلتاریخ بهنگام رسانی 20091399هجری خورشیدی؛ ا شربیانی

  2. Annet Annet says:

    I had been sick for a long time When the day came for me to leave the hospital I barely knew how to walk any could barely remember who I was supposed to beOne of the best Austers I've read seriously Auster you love him or you hate him I've struggled with his books but always ended up fascinated Auster writes brooding stories there's always something below the surface and to find out what's going on is a challengeThis is a brooding story too it was a smooth read for me enjoyed every moment of it Brooding fascinating intriguing loving sad Fantastic story really Auster uses storylines within the main story by way of footer notes in small print Yes it worked for me And again I love Auster's usual setting New York Brooklyn The main character in the book Sidney Orr walks the streets of New York recovering from a serious illness I can see smell and feel New York one of my favorite cities in the world Auster always knows how to describe it just in the right way Loved it 45 stars maybe five It's a story that lingers in the back of your headRecommended The story in short Several months into his recovery from a near fatal illness 34 old novelist Sidney Orr enters a stationery shop in Brooklyn and buys a blue notebook For the next 9 days Orr will live under the spell of this blue book trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality

  3. Fabian Fabian says:

    The story within the story device gives Paul Auster plenty of freedom to orchestrate this postmodern novel These are the fake jottings of an active writer and they include daily occurrences diarylike ideas for plots a coherent free flow of thoughts and musings a scrapbook of so much mixed media which describes a vivid world dabbling in the surreal His avoiding the usage of uotation marks in the story within the story’s dialogue conveys the continuity of the writer’s imagination He uses literary irony sometimes his character’s descriptions are so remarkably like those he makes of his acuaintances Plot wise there is jumping around making whole days lapse only one paragraph creating different story lines and times using repetition to give the reader a vague sense of déjà vu Chapterless it continues in the major tradition of the thriller continued realized to its most masterful level in 2006 with Scott Smith’s novel of visceral horror The Ruins to be easy to follow despite having no rests between climaxes plot revelations The “narcissistic novel” brand is befitting of 'Oracle Night' Let’s not forget Auster's trademark use of footnotes More than creating an “academic” ie entitled voice this tool can pump in information to an otherwise “short” novel Footnotes are small pockets of compressed data; additionally they allow the reader to interact with the text itself He flips the pages prematurely to get the hidden back story breaking the rules of literature by traversing through the main plot itselfThis is a book about books through through

  4. Elyse Walters Elyse Walters says:

    Audiobook read by Paul AusterThis was my 3rd time listening to Auster read one of his books His voice is distinct engaging natural terrific rhythmic flow complementing his storytelling prose I’m late to seriously becoming a fan but I’m definitely getting there Auster really holds my attention so much so I promised myself that the next Auster book I choose I’ll read it rather than listen to him I have a hard time separating the entertainment value between his voice or the story itself I like both We meet Sidney Orr a novelist and the narrator Sidney was recovering from a serious illness After leaving the hospital he walks into “The Paper Palace” a stationary store and bought a blue notebook that was made in Portugal He becomes obsessed it and he begins to write again after a period of writers block Interesting odd things start to happen as Sid begins to writeThis is a complex story about a book of stories three to be specific within storiesconnecting them to all to Sidney and all the things important in his own life The mystery intrigue and descriptions kept me gluedThis is a novel but it times it felt like it was non fiction Set in 1982 we follow Sydney‘s life for nine days His marriage is threatened coincidences happened characters are compelling especially Grace his wifeand we take an introspective look into the future For me the greatness was the intimacy of Sidney ‘telling’ the stories leaving hints of the concerns of his own life That old saying “I could listen to this guy read the phone book” applies accurately for me with Paul Auster

  5. Shovelmonkey1 Shovelmonkey1 says:

    Every time I start a Paul Auster book I get twenty pages into it and thinkThat's it He's finally over stepped the mark He's jumped from the edge of the clever cliff and into the precipice of wnky too smart and arty for his own good literature And then I am always proved wrong Sorry Paul I judge you too harshlyAnother excellent book with the trademark Austerisms Convoluted random perhaps even a little too common place at times writhing like a bag of snakes the twists and turns had me on the ceiling and facing the wrong way before I knew it This either means they were very good or that I am easily confused I'll leave it to you to decide whichAlthough as a footnote something that you seem to be all too fond of in this book I just thought it was worth pointing out that as a personal preference it really winds me up when the footnotes are actually larger than the main text Anyone else feel this way Also if the footnote stretches for than three pages and is running as a sort of contemporaneous commentary then it's probably worth just scrapping the footnotes and putting all the information into the main text non See like here I could have just put this bit of the review up there with the main part of the review but now you're down here reading this part of the review and by the time you glance back up to the main thread you'll have forgotten what I was talking about up there and be thinking about the footnote which is really just the story continued in another way Hmmm So is it annoying or is it just me

  6. Jeremy Jeremy says:

    Oracle Night seems like one of Auster's perfunctory novels There is the usual blend of a narrator getting over some big personal tragedy reflections on the power of language writing especially in this case recurring coincidences a female love interest in trouble etc The opening conceit of the blank notebook and Sid's need to fill it has this really interesting ominous vibe going to it But Auster doesn't seem all that committed to really diving into it and by the end of the book it felt like little than a forgotten pretext to set the whole narrative up instead of an organic development within the story There are some really nice passages though and it's interesting to read one of his books that has a decidedly domestic kind of feel to it than a lot of his other work But the ending feels rushed and the whole strung out son of a family friend who suddenly pops up to wreak havoc in everyone's lives feels kind of like a cheap deus ex machina I'd expect that kind of weak stuff from someone's first novel not their umpteenth

  7. Franky Franky says:

    I read one of Paul Auster’s works The New York Trilogy a few years back enjoyed it immensely and it was good to get back to reading him again I think what Auster manages to do in both of the works I’ve read is create a sense of layers of meaning in both the real world and the literary world the one being written on paper Both in The Trilogy and Oracle Night there’s a sense of metacognition or thinking about thinking or thinking and reflection on the world Events people conflict play out and have many layers to them In short he is an author that makes you think and that is what I’ve loved about reading his books so far I will have to do the calculations but I think Auster’s book might at some points cross over into a “story within a story within a story” We have Paul Auster writing about his protagonist Sidney Orr a writer who is working on a manuscript about a man named Nick Bowen who in this book is focused on reading the writings of Sylvia Maxwell an author who has written Oracle Night Auster manages to intertwine all of these elements and blend them into one engaging plot and at points the plot of the writings bleed into the real life aspects of the story It’s really hard to go into particulars about plot with a Paul Auster novel because sometimes I think that the story or meaning under the surface is far impressionable and meaningful that the surface level plot However to give some context Oracle Night’s premise involves novelist Sydney Orr having recently been released from the hospital after overcoming a near fatal illness and his transition back into life with his wife and his friend an author named John There’s an interesting scene where Orr visits a stationary shop and buys a blue notebook and this sort of becomes his inspiration to begin to draft a story There are many parallels to the story he is devising and his real life and certain things seem to take on a life of their own Within Auster’s work there are certain elements that the author investigates one of which is the element of how future events work In many ways Oracle Night is a mediation on life and its struggles and how uite often the literary and literal world aren’t as far apart as we imagineThere are many layers to this novel and this is a book that will have you reflecting after you read the final page which I think is the hallmark of an engaging and thoughtful book

  8. Mandi Mandi says:

    Through the entire story I had the feeling I was on the verge of stumbling on the meat of it but it never happened I stuck with it hoping for even a line that would satisfy the on the verge feeling but by the last line on the last page I realized it wasn't coming Maybe I'm too dense to really get the underlying substance of this book but believe me I was looking for it

  9. Salva Salva says:

    Shall I change the stars I've given this book about 10 years ago because I enjoyed it even this time Is it the story or me that has changed The changes I've been through these past 10 years must be enormous as I totally connected with the book in a totally different way this time I love the way Auster puts things and I even love how the things unfold gradually through the story No doubt he is one of the greatest authors I have read I will try reading this magical novel when I'm turning 40 to see how it goes then

  10. Andrew Kaufman Andrew Kaufman says:

    It's been a long time since I've had a new favourite writer Paul Auster is my new favourite writer

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