WA: The Essence of Japanese Design PDF Î WA: The PDF

WA: The Essence of Japanese Design PDF Î WA: The PDF



10 thoughts on “WA: The Essence of Japanese Design

  1. Cindy Pham Cindy Pham says:

    I disliked the unnecessarily complicated format of book The essays are dense and dry without speaking to you like a human, which seems contradictory to the values that Japanese design puts forth They also constantly reference pictures on other pages, requiring you to flip back and forth, when a simple annotation next to the images they re talking about would have beenuser friendly The design choice to have double pages is questionable I m not sure if the aesthetic is worth having a muc I disliked the unnecessarily complicated format of book The essays are dense and dry without speaking to you like a human, which seems contradictory to the values that Japanese design puts forth They also constantly reference pictures on other pages, requiring you to flip back and forth, when a simple annotation next to the images they re talking about would have beenuser friendly The design choice to have double pages is questionable I m not sure if the aesthetic is worth having a much heavier book and empty pages stuck together on the inside The photos and content themselves are beautiful, but I wouldn t necessarily credit the work of Japanese designers onto two Italian authors therefore I m evaluating this book based on its writing and construction of the book, which is not as intuitive as other design books I ve read


  2. Lorenzo Diaz campos Lorenzo Diaz campos says:

    No me pude resistir a la deliciosa manufactura de este libro en cuanto lo vi, una atinad sima elecci n que desde la portada misma deja clara la intenci n La cultura japonesa, por su milenaria tradici n y sobre todo por su extraordinaria continuidad, ofrece un campo f rtil al dise o como disciplina artesana Las autoras hacen su acercamiento al dise o contempor neo japon s desde la perspectiva hist rica, fundamentando en ella su esencia y significado.Me llam la atenci n que en su texto Menegazz No me pude resistir a la deliciosa manufactura de este libro en cuanto lo vi, una atinad sima elecci n que desde la portada misma deja clara la intenci n La cultura japonesa, por su milenaria tradici n y sobre todo por su extraordinaria continuidad, ofrece un campo f rtil al dise o como disciplina artesana Las autoras hacen su acercamiento al dise o contempor neo japon s desde la perspectiva hist rica, fundamentando en ella su esencia y significado.Me llam la atenci n que en su texto Menegazzo una de las dos autoras haga referencia a la crisis actual del dise o japon s, y porque no decirlo de todo su modelo econ mico, partiendo de una declaraci n que hiciera Issey Miyake hace m s de diez a os en el 2003 Claramente coloca como un momento de inflexi n el devastador Tsunami de Sendai y los movimientos que de ah surgieron Hace especial nfasis en la labor de Toyo Itto y la comunicaci n de su esfuerzo que se materializ en la pasada Bienal de Arquitectura de Venecia.A partir de esta reflexi n las autoras exploran la manera japonesa WA de hacer las cosas Cap tulo por cap tulo analizan cinco grupos de materiales estrechamente relacionados con las artes y maestranzas artesanales milenarias de las islas japonesas En el ltimo cap tulo hacen un acercamiento a los nuevos materiales Una profunda investigaci n pone en evidencia la estrecha relaci n entre objetos hist ricos y contempor neos La esencia como l nea de referencia, el nombre de los creadores siempre en segundo plano.El libro retrata con fidelidad la situaci n actual del dise o japon s y deja claro el valioso bagaje con el que cuenta para crearse un futuro extraordinario


  3. Tomas Ramanauskas Tomas Ramanauskas says:

    A book about design should be designery in itself WA delivers big time The double pages, the subtlety of layouts it all adds up to a pleasant experience in philosophy of Japanese design emptiness term by authors, not me.


  4. Madness Madness says:

    It s quite good album like book with different types of Japanese designs grouped by materials Yet in my opinion descriptions short, essay like introductions to each parts were sometimes quite messy Best one was by Kenya Hara since it was very much article full of descriptions but also visualisations pictures so that we could understand what the author of the article is talking about.Unfortunately for me two Italian authors especially in first two articles were quite picking and choosing wh It s quite good album like book with different types of Japanese designs grouped by materials Yet in my opinion descriptions short, essay like introductions to each parts were sometimes quite messy Best one was by Kenya Hara since it was very much article full of descriptions but also visualisations pictures so that we could understand what the author of the article is talking about.Unfortunately for me two Italian authors especially in first two articles were quite picking and choosing what to show us even tho the descriptions of some parts were so long I especially remember this one description of tachi vs katana swords Were we got only one picture of katana although I m still not sure if they were right looking at the steel end but no tachi picture to compare only a description Which won t really tell us much if we cannot see it and compare by ourselves Having much of photographic memory jumping through pages to see pictures was a bit annoying as well I would much rather have a pic next to the description so I don t have to stop my reading to go and search for the picture Also it was a first time I ve seen binding like this With a pages that are empty inside It didn t make quite sense to me since it only made a book much heavier but didn t really make a reading better Just didn t understand design choice I guess


  5. Matt Bertram Matt Bertram says:

    The material and construction of this book alone gets a 5 star Wonderfully tactile and simple The content is also excellent Highly recommended if you re interested in such topics


  6. Azabu Azabu says:

    The authors distill centuries of the wabi sabi way of life in this elegantly curated photograph album of everyday items Defining wa as simple form and the natural material combined with craftsmanship, they spotlight over 200 objects by mostly modern artists like Isamu Noguchi who appear to be looking both back to the past and forward to future developments A pithy introduction by art director Kenya Hara of the MUJI chain credits 15th century shogun Ashikaga Yoshimasa as the father of the e The authors distill centuries of the wabi sabi way of life in this elegantly curated photograph album of everyday items Defining wa as simple form and the natural material combined with craftsmanship, they spotlight over 200 objects by mostly modern artists like Isamu Noguchi who appear to be looking both back to the past and forward to future developments A pithy introduction by art director Kenya Hara of the MUJI chain credits 15th century shogun Ashikaga Yoshimasa as the father of the esthetic of emptiness Six sections sorted by material run the gamut from bamboo to ceramics to plastic to illustrate shogun style In the Textiles section the authors demystify the kimono with a bow to fashion innovator Issey Miyake and his Reality Lab Project Team Fans of Reiko Sudo, co founder of NUNO, the industrial design house, will be pleased to find her contribution to sustainable materials prominently mentioned Although she arrived one hour late to a meeting with my American friend in 2008, I can t resist her jewel box of a shop in the Axis building in Tokyo s Roppongi district While minimalism may not be everyone s cup of green tea, it certainly is mine


  7. Nathan Nathan says:

    This book is beautiful The design is simple and clear, and the tactile feeling of having it in your hands is like no other book I ve held I will pick this book up again and again just because it feels so good to touch It is great to read a design book that physically embodies what it talks about.The content is good, but not great There are beautiful photos of objects, but many books can be said to have that Each section of the book has a four to six page introduction about objects and some This book is beautiful The design is simple and clear, and the tactile feeling of having it in your hands is like no other book I ve held I will pick this book up again and again just because it feels so good to touch It is great to read a design book that physically embodies what it talks about.The content is good, but not great There are beautiful photos of objects, but many books can be said to have that Each section of the book has a four to six page introduction about objects and some history In some instances this format feels perfect, giving just enough background information Other times it feels as though there just wasn t enough to provide insight to the photos that follow.Even with that criticism of content, I am happy to own this book because of its tactile sensation The introduction by Kenya Hara is on point with his other writings on the philosophy and larger thoughts on design


  8. Ellery Ellery says:

    A treasure This book makes you look at and appreciate life, nature, art and design on a whole new level Fascinating to see the inter connectivity of spiritual and natural elements across such a vast array of design.


  9. Joris Vermeulen Joris Vermeulen says:

    Het knapste kunstboek van 2014 Elk aspect van dit boek klopt De binding, het papier Het esthetisch aspect is aanwezig in elk vormelijk als inhoudelijk kenmerk I really love It.


Leave a Reply

Your email address will not be published. Required fields are marked *

WA: The Essence of Japanese Design ❰Reading❯ ➺ WA: The Essence of Japanese Design Author Rossella Menegazzo – Centrumpowypadkowe.co.uk Explore the enduring beauty of Japanese design through some objects, ranging from bento boxes, calligraphy brushes, and Shoji sliding doors to Noguchi s Akari lamp, the iconic Kikkoman soy sauce boot Essence of PDF/EPUB æ Explore the enduring beauty of Japanese design through someobjects, ranging from bento boxes, calligraphy brushes, and Shoji sliding doors to Noguchi s Akari lamp, the iconic Kikkoman soy sauce bootle, and a modern day kimono designed by Issey MiyakePrinted on craft paper and bound in the traditional Japanese style, WA features stunning, full page illustrations and an introduction by MUJI WA: The PDF \ art director Kenya Hara.